“Steve McCurry, recognized universally as one of today’s finest image-makers, is best known for his evocative color photography. In the finest documentary tradition, McCurry captures the essence of human struggle and joy.
Born in Philadelphia, McCurry graduated from the College of Arts and Architecture at the Pennsylvania State University. After working at a newspaper for two years, he left for India to freelance. It was in India that McCurry learned to watch and wait on life. “If you wait,” he realized, “people will forget your camera and the soul will drift up into view.”
His career was launched when, disguised in native garb, he crossed the Pakistan border into rebel-controlled Afghanistan just before the Russian invasion. When he emerged, he had rolls of film sewn into his clothes and images that would be published around the world as among the first to show the conflict there. His coverage won the Robert Capa Gold Medal for Best Photographic Reporting from Abroad, an award dedicated to photographers exhibiting exceptional courage and enterprise.
He is the recipient of numerous awards, including Magazine Photographer of the Year, awarded by the National Press Photographers Association. This was the same year in which he won an unprecedented four first prizes in the World Press Photo contest. He has won the Olivier Rebbot Award twice.
McCurry has covered many areas of international and civil conflict, including Beirut, Cambodia, the Philippines, the Gulf War, the former Yugoslavia, Afghanistan, and Tibet. He focuses on the human consequences of war, not only showing what war impresses on the landscape, but rather, on the human face.
McCurry’s work has been featured in every major magazine in the world and frequently appears in National Geographic, with recent articles on Tibet, Afghanistan, Iraq, Yemen, and the temples of Angkor Wat, Cambodia.
A high point in McCurry’s career was the rediscovery of the previously unidentified Afghan refugee girl that many have described as the most recognizable photograph in the world today. When he finally located Sharbat Gula, he said, ‘Her skin is weathered; there are wrinkles now, but she is as striking now as she was all those years ago.’” (bio from artist’s website and National Geographic)
Of his work, McCurry says, “Most of my pictures are grounded in people. I look for the unguarded moment, the essential soul peeking out, experience etched on a person’s face. I try to convey what it is like to be that person caught in a broader landscape that I’d guess you call the human condition.”
Sources: National Geographic